Fall 2015
Monday's Éric Rohmer: Comedies and Proverbs
Tuesday's Singapore Dreaming: Contemporary Singaporean Cinema
Wednesday's The Magician: An Ingmar Bergman Retrospective
Thursday 1's Gordon Parks: The Man Behind the Lens
Thursday 2's Hackers, Phreaks, and Cyborgs: Sociotechnics in the Late 20th Century U.S. Imaginary
Friday's Doc Day Afternoon: Classics from Hollywood’s Most Turbulent Decade
Saturday's The End of the Week: When Doc Was There
Sunday's All About Bette: The Films of Bette Davis
Spring 2015
Monday's Beyond Scarlett O’Hara: A Vivien Leigh Retrospective
Tuesday's Frederick Wiseman: An Institution
Wednesday's Man in the Shadow: Orson Welles at 100
Thursday 1's Poliziotteschi: Shoot First, Die Later
Thursday 2's Lovecraftian Horror: Iä! Iä! Cthulhu Fhtagn
Friday's Like Clockwork: Full Metal Kubrick
Saturday's Doc Films Sportello: Second-Run Spring
Sunday's The World That Isn't: The Films of Frank Tashlin
Winter 2015
Monday's Love Battles: The Films of Jacques Doillon
Tuesday's Live From New York: A Saturday Night Live Alumni Retrospective
Wednesday's Beyond Passions: Federico Fellini
Thursday 1's Prison Break!: Great Escape Films of the 20th Century
Thursday 2's Behind the Convent Walls: Bad Habits and Naughty Nuns
Friday's Dial D for Doc: Hitchcock in Hollywood, 1943-1963
Saturday's The BabaDoc: Ba-ba-ba... doc! Doc! DOOOOOC!
Sunday's Film as a Subversive Art: Amos Vogel and Cinema 16