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Abel, Richard. The Cine Goes to Town: French Cinema 1896-1914. University of California Press, 1994.

Abel, Richard. French Film Theory and Criticism Volume I 1907-1929. Princeton UP, 1988.

Abel, Richard. French Film Theory and Criticism Volume II 1929-1939. Princeton UP, 1988.

Adams, Les and Buck Rainey. Shoot-em-ups: The Complete Reference Guide to Westerns of the Sound Era. Arlington House Publishers, 1978.

Affron, Charles. Star Acting: Gish, Garbo, Davis. E.P Dutton, 1977.

Ames, Christopher. Movies About the Movies: Hollywood Reflected. UP of Kentucky, 1997.

Armes, Roy. French Film. Dutton, 1970.

Armes, Roy. French Cinema since 1946. A.Zwemmer, A.S. Barnes, 1966.

Armes, Roy. French Cinema. Oxford UP, 1985.

Ayfree, Amedee, et al. The Films of Robert Bresson. Praeger Publishers, 1969.

Babitsky, Paul and John Rimberg. The Soviet Film Industry. Edwards Brothers, 1955.

Bach, Steven. Final Cut: Dreams and Disaster in the Making of HeavenŐs Gate. William Morrow, 1985.

Bardeche, Maurice and Robert Brasillach. Histoire du Cinema I: Le Muet. Les Sept Couleurs, 1964.

Barr, Charles. Laurel & Hardy. Studio Vista, 1967.

Barry, Iris. D.W. Griffith: American Film Master. MoMA, 1940.

Basinger, Jeanine. A Woman's View: How Hollywood Spoke to Women 1930-1960. Random House, 1993.

Bazin, Andre. What Is Cinema? University of California Press, 1967.

Beauchamp, Cari. Without Lying Down: Frances Marion and the Powerful Women of Early Hollywood. Scribner, 1997.

Bellour, Raymond and Jean-Jacques Brochier, ed. Dictionnaire du cinema. Editions universitaires, 1966.

Bergam, Ronald and Robyn Karney. The Holt Foreign Film Guide. Henry Holt, 1988.

Blum, Daniel. A Pictorial History of the Silent Screen. Putnam, 1953.

Bock, Audie, ed. Mikio Naruse: A Master of the Japanese Cinema. Film Center, 1984.

Bogdanovitch, Peter. Who the Devil Made It: Conversations with Legendary Film Directors. Ballantine, 1997.

Bordwell, David and Thompson, Kristine. Film History: An Introduction. McGraw-Hill, 1994.

Bowser, Eileen. The Transformation of Cinema. University of California Press, 1990.

Braudy, Leo. Jean Renoir: The World of His Films. Anchor Books, Doubleday, 1972.

Brode, Douglas. Shakespeare in the Movies: From the Silent Era to Shakespeare in Love. Oxford UP, 2000.

Brode, Douglas. The Films of the Sixties. Citadel Press, 1980.

Brownlow, Kevin. How It Happened Here. Doubleday, 1968.

Bunuel, Luis. Le journal d'une femme de chamber. Seuil/Avant-Scene, 1971.

Burke, John. The Beatles in A Hard Day's Night. Dell, 1964.

Burton, Hal, ed. Great Acting. Hill and Wang, 1967.

Burvenich, Jos. Ingmar Bergman zoekt de sleutel. Lannoo/Tielt/Den Haag, 1966.

Byg, Barton. Landscapes of Resistance: The German Films of Daniele Huillet and Jean-Marie Straub. University of California Press, 1995.

Cameron, Ian, et al. Second Wave: newer than new wave names in world cinema. Frederick A. Praeger, 1970.

Carney, Raymond. Speaking the Language of Desire: The Films of Carl Dreyer. Cambridge UP, 1989.

Carson, Diane et al. Multiple Voices in Feminist Film Criticism. University of Minnesota Press, 1994.

Casty, Alan. The Films of Rober Rossen. MoMA, 1969.

Christenson, Terry. Reel Politics: American Political Movies from Birth of a Nation to Platoon. Basil Blackwell, 1987.

Clair, Rene. Il milione. Editoriale Domus, 1945.

Coburn, Randy Sue. Trouble in Mind. Alive Press, 1986.

Cocteau, Jean. The Blood of a Poet. Bodley Press, 1949.

Cohn, Art, ed. Around the World in 80 Days Almanac. Random House, 1956.

Cook, David A. A History of Narrative Film. W.W. Norton, 1996.

Cook, David A. Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam 1970-1979. University of California Press, 2000.

Corliss, Richard. Talking Pictures. Penguin Books, 1975.

Crafton, Donald. The Talkies: American Cinema's Transition to Sound 1926-1931. University of California Press, 1997.

Crowe, Cameron. Almost Famous. Faber and Faber, 2000.

Crowther, Bosley. Hollywood Rajah: The Life and Times of Louis B. Mayer. Holt, Rinehard, and Winston, 1960.

Dabashi, Hamid. Close Up Iranian Cinema Past, Present and Future. Verso, 2001.

Denby, David, ed. Film 70/71. Simon and Schuster, 1971.

Desbarats, Carole, et al. Atom Egoyan. Editions Dis Voir, 1993.

Diawara, Manthia. Black American Cinema. Routledge, 1993.

Dixon, Wheeler Winston. The Exploding Eye: A Re-Visionary History of 1960s American Experimental Cinema. State University of New York Press, 1997.

Dorian, Bob. Classic Movies. Bob Adams, 1990.

Duca, Lo. Histoire du Cinema (1895-1968). Presses Universitaires de France, 1968.

Duvivier, Julien. Il bandito della casbah. Editoriale Domus, 1945.

Eames, John Douglas. The MGM Story. Crown Publishers, 1979.

Ebert, Roger. The Great Movies. Broadway Books, 2002.

Ebert, Roger. The Great Movies II. Broadway Books, 2005.

Eisenstein, Sergei. The Battleship Potemkin. Lorrimer Publishing, 1968.

Eisenstein, Sergei. Film Sense. Harcourt, Brace, and World, 1947.

Everson, William K. The Bad Guys: A Pictorial History of the Movie Villain. Overlook Press, 1964.

Faragoh, Francis Edwards. Little Caesar. University of Wisconsin Press, 1981.

Fellini, Federico. Three Screenplays. Grossman Publishers, 1970.

Feyder, Jacques. La kermesse eroica. Editoriale Domus, 1945.

Fischer, Lucy. Shot/Countershot: Film Tradition and Women's Cinema. Princeton UP, 1989.

Fitzgerald, F. Scott. Three Comrades. Southern Illinois UP, 1965.

Fitzgerald, Michael. Universal Pictures: A Panoramic History in Words, Pictures and Filmographies. Arlington House Publishers, 1977.

Fleming, Ian. Thunderball. Signet, 1961.

Fleming, Ian. The Man With the Golden Gun. Signet, 1965.

Fleming, Ian. You Only Live Twice. Signet, 1965.

Fleming, Ian. Diamonds Are Forever. Macmillan Company, 1956.

Fleming, Ian. Goldfinger. Signet, 1959.

Fleming, Ian. From Russia with Love. Macmillan Company, 1957.

Fleming, Ian. For Your Eyes Only. Signet, 1960.

Frank, Scott. Out of Sight. Screenpress Books, 1999.

Franklin, Joe. Classics of the Silent Screen. Citadel Press.

French, Philip. Westerns. Viking Press, 1959.

Gaghan, Stephen. Traffic. Faber and Faber, 2000.

Garbicz, Adam and Jacek Klinowski. Cinema The Magic Vehicle. Schocken Books, 1983.

Garnham, Nicholas. Samuel Fuller. Viking Press, 1971.

Gifford, Dennis. A Pictorial History of Horror Movies. Hamlyn, 1973.

Gilliatt, Penelope. Jean Renoir: Essays, Conversations, Reviews. McGraw-Hill, 1975.

Gledhill, Christine. Home is Where the Heart Is. BFI Publishing, 1987.

Godard, Jean-Luc. A Bout de Souffle. l'Avant-Scene, 1968.

Green, Stanley and Burt Goldblatt. Starring Fred Astaire. Dodd, Mead, 1973.

Griffith, David Wark. Intolerance: The Film w/Shot-by-Shot Analysis. MoMA, 1966.

Grossman, John, ed. The Chicago Manual of Style. University of Chicago Press, 1993.

Guarner, Jose Luis. Roberto Rossellini. Praeger Publishers, 1970.

Guralnik, David, ed. Webster's New World Dictionary. Macmillan Company, 1971.

Hadleigh, Boze The Lavender Screen. Citadel Press, 1993.

Halliwell, Leslie. Mountain of Dreams: The Golden Years of Paramount Pictures. Stonehill Publishing, 1976.

Halliwell, Leslie. The Filmgoer's Companion, 6th Edition. Avon Books, 1977.

Hardy, Phil, ed. The BFI Companion to Crime. University of California Press, 1997.

Hardy, Phil, ed. The Overlook Film Encyclopedia: The Western. Overlook Press, 1995.

Hardy, Phil, ed. The Overlook Film Encyclopedia: Horror. Overlook Press, 1995.

Harris, Robert A. and Michael S. Lasky. The Films of Alfred Hitchcock. Citadel Press, 1977.

Harvery, Stephen. Directed by Vincente Minnelli. MoMA, 1989.

Hauser, Thomas. Muhammad Ali in Perspective. Collins Pubilshers, 1996.

Hays, Will H. See and Hear. MPPDA, 1929.

Herndon, Venable and Arthur Penn. Alice's Restaurant. Doubleday, 1970.

Higham, Charles and Joel Greenberg. Hollywood in the Forties. A. Zwemmer, 1968.

Hillier, Jim, ed. Cahiers du Cinema: The 1950s: Neo-Realism, Hollywood, The New Wave. Harvard UP, 1985.

Hillier, Jim, ed. Cahiers du Cinema: The 1960s: New Wave, New Cinema, Reevaluating Hollywood. Harvard UP, 1986.

Hillier, Jim and Alan Lovell. Studies in Documentary. Viking Press, 1972.

Hirschhorn, Clive. The Hollywood Musical. Crown Publishers, 1981.

Hodges, Mike. Get Carter: The Screenplay. Screenpress Books, 1971.

Hosoda, Craig. The Bare Facts Video Guide: Where to Find Your Favorite Actors and Actresses Nude on Videotape. Bare Facts, 1992.

Houston, Penelope. The Contemporary Cinema 1945-1963. Penguin Books, 1969.

Huffhines, Kathy Schulz. Foreign Affairs. Mercury House, 1991.

Jacobs, Lewis. The Rise of the American Film: A Critical History. Harcourt, Brace, 1939.

Jordan, Thurston C., Jr. Glossary of Motion Pictures Terminology. Jorston Enterprises, 1968.

Kael, Pauline. Raising Kane. Methuen Publishing, 2002.

Katz, Ephraim. The Film Encyclopedia. HarperCollins, 1994.

Katz, Ephraim. The Film Encyclopedia, 4th Edition. HarperCollins, 2001.

Kauffman, Stanley. Living Images: Film Comment and Criticism. Harper & Row, 1975.

Killick, Jane. The Making of Judge Dredd. Hyperion, 1995.

King, John. Magical Reels: A History of Cinema in Latin America. Verso, 1990.

Knight, Arthur. The Liveliest Art. New American Library, 1957.

Kobal, John. The Top 100 Movies. New American Library, 1988.

Kowalski, Rosemary Ribich. Women and Film: A Bibliography. Scarecrow Press, 1976.

Kozloff, Sarah. Overhearing Film Dialogue. University of California Press, 2000.

La Bern, Arthur. Frenzy. Warner Paperback Library, 1966.

Lambray, Maureen. The American Film Directors. Collier Books, 1977.

Lang, Fritz, ed by Alfred Eibel. Choix de Textes. Presence du Cinema, 1964.

Leprohon, Pierre. Jean Renoir: An Investigation into His Films and Philosophy. Crown Publishers, 1971.

Lev, Peter. The Fifties: Transforming the Screen 1950-1959. University of California Press, 2003.

Levin, G. Roy. Documentary Explorations: 15 Interviews with Film-Makers. Doubleday, 1971.

Leyda, Jay. Kino: A History of the Russian and Soviet Film. Collier Books, 1960.

Leyda, Jay and Zina Voynow. Eisenstein at Work. Pantheon Books, 1982.

Louvish, Simon. It's a Gift. British Film Institute, 1994.

Manvell, Roger. Film. Penguin Books, 1946.

Manvell, Roger. New Cinema in Europe. Studio, 1966.

Martin, Marcel. France: An illustrated guide to 400 key figures in the French cinema. A. Zwemmer, 1971.

Martin, Michael T., ed. New Latin American Cinema Vol. 1: Theory, Practices, and Transcontinental Articulations, Wayne State UP, 1997.

Mast, Gerald. A Short History of the Movies, Bobbs-Merrill, 1976.

McCabe, John and Al Kilgore. Laurel & Hardy, E.P Dutton, 1975.

McConnell, Frank D. The Spoken Seen: Film and the Romantic Imagination, Johns Hopkins UP, 1975.

McKay, Herbert C. The Voice of the Films, Falk Publishing Company, 1930.

Michael, Paul. The Academy Awards: A Pictorial History, The Bobbs-Merrill, 1965.

Michael, Paul, ed. The American Movies. Galahad Books, 1969.

Milne, Tom. Mamoulian. Indiana UP, 1969.

Moews, Daniel. Keaton: The Silent Features Close Up. University of California Press, 1977.

Monaco, Paul. The Sixties 1960-1969. University of California Press, 2001.

Mora, Carl J. Mexican Cinema: Reflections of a Society 1896-1988. University of California Press, 1989.

Morgenstern, Joseph and Stefan Kanfer, ed. Film 69/70. Simon and Schuster, 1970.

Morri, William, ed. The American Heritage Dictionary. Houghton Mifflin, 1976.

Mottram, Ron. The Danish Cinema Before Dreyer. Scarecrow Press, 1988.

Murray, Edward. Nine American Film Critics. Frederick Ungar Publishing, 1975.

Murray, Scott, ed. Oxford Australian Film 1978-1994. Oxford UP, 1995.

Nowell-Smith, Geoffrey. The Oxford History of World Cinema. Oxford UP, 1996.

Oakey, Virginia. Dictionary of Film and Television Terms. Barnes & Noble Books, 1983.

O'Leary, Liam. Rex Ingram: Master of the silent cinema. Academy Press, 1980.

O'Leary, Liam. The silent cinema. Studio Vista, 1968.

Peary, Danny, ed. Close-ups: The Movie Star Book. Simon and Schuster, 1978.

Pflaum, Hans Gunther. Cinema in the Federal Republic of Germany. Inter Nationes, 1983.

Prince, Stephen. A New Pot of Gold: Hollywood Under the Electronic Rainbow, 1980-1989. University of California Press, 2000.

Pym, John, ed. Time Out Film Guide. Time Out Guides, 2006.

Rabinovitz, Lauren. Points of Resistance: Women, Power, & Politics in the New York Avant-garde Cinema 1943-71. University of Illinois Press, 1991.

Ramsaye, Terry. A Million and One Nights: A History of the Motion Picture Through 1925. Simon and Schuster, 1964.

Renoir, Jean. La Grande Illusion. Seuil/Avant-Scene, 1971.

Renoir, Jean. Raymond Durgnat. University of California Press, 1974.

Rhode, Eric. A History of the Cinema From Its Origins to 1970. Hill and Wang, 1976.

Richie, Donald. Japanese Cinema. Anchor Books, Doubleday, 1971.

Ringgold, Gene and DeWitt Bodeen. The Complete Films of Cecil B. DeMille. Citadel Press, 1969.

Robinson, David. Hollywood in the Twenties. A. Zwemmer, 1968.

Rosenbaum, Jonathan. Essential Cinema: On the Necessity of Film Canons. Johns Hopkins UP, 2004.

Rosenbaum, Jonathan. Placing Movies: The Practice of Film Criticism. University of California Press, 1995.

Rothwell, Kenneth S. A History of Shakespeare on Screen. Cambridge UP, 1999.

Roud, Richard. Straub. Viking Press, 1972.

Roud, Richard. A Passion for Films: Henri Langlois and the Cinematheque Francaise. Penguin Books, 1983.

Sadoul, Georges. The Cinema in the Arab Countries. Interarab Center of Cinema & Television, 1966.

Sadoul, Georges. Le Cinema Francais. Flammarion, 1962.

Sadoul, Georges. Dictionary of Films. University of California Press, 1972.

Schatz, Thomas. Boom and Bust: American Cinema in the 1940s. University of California Press, 1997.

Schickel, Richard. The Disney Version. Avon Books, 1968.

Schumach, Murray. The Face on the Cutting Room Floor: The Story of Movie and Television Censorship. Da Capo Press, 1975.

Shaughnessy, Robert, ed. Shakespeare on Film. St. Martin's Press, 1998.

Shipman, David. The Great Movie Stars: The Golden Years. Crown Publishers, 1970.

Slide, Anthony. Films on Film History, Scarecrow Press, 1979.

Smith, Gavin, ed. Sayles on Sayles. Faber and Faber, 1998.

Smith, John M. Jean Vigo. Praeger Publishers, 1972.

Stamp, Shelley. Movie-Struck Girls: Women and Motion Picture Culture After the Nickelodeon. American Federation of Film Societies, 1956.

Starr, Cecile, ed. Film Society Primer. American Federation of Film Societies, 1956.

Stephenson, Ralph and J.R. Debrix. The Cinema as Art. Penguin Books, 1969.

Stuart, Ray, ed. Immortals of the Screen. Bonanza Books, 1965.

Talbot, Daniel, ed. Film: An Anthology. University of California Press, 1972.

Taylor, Greg. Artists in the Audience: Cults, Camp, and American Film Criticism. Princeton UP, 1999.

Taylor, Richard and Ian Christie, ed. The Film Factory: Russian and Soviet Cinema in Documents 1896-1939. Harvard UP, 1988.

Thomas, Tony and Aubrey Solomon. Twentieth Century Fox: A Pictorial History. Citadel Press, 1979.

Thomson, David. A Biographical Dictionary of Film (3rd ed.). Alfred A. Knopf, 1994.

Thomson, David. A Biographical Dictionary of Film, 2nd Edition. William Morrow, 1981.

Tyler, Parker. Magic and Myth of the Movies. Secker & Warburg, 1971.

Vermilye, Jerry. The Films of the Thirties. Citadel Press, 1982.

Vincendeau, Ginnete, ed. Encyclopedia of European Cinema. Cassell, 1995.

Wald, Malvin and Albert Maltz. The Naked City: a Screenplay. Southern Illinois UP, 1979.

Wallace, General Lew. The Story of the Making of Ben-Hur: A Tale of the Christ. Random House, 1959.

Weightman, John. Masterworks of the French Cinema. Harper & Row, 1962.

Weinberg, Herman G. The Lubitsch Touch: A Critical Study. E.P Dutton, 1968.

Weiner, Janet. How to Organize and Run a Film Society. Collier Books, 1973.

Witcombe, R. T. The New Italian Cinema. Oxford UP, 1982.

Wood, Leslie. The Miracle of the Movies. Burke Publishing, 1947.

Wood, Robin. Hitchcock's Films. Paperback Library, 1970.

Zaniello, Tom. Working Stiffs, Union Maids, Reds, and Riffraff: An Organized Guide to Films about Labor. Cornell UP, 1996.

Zinman, David. 50 Classic Motion Pictures. Limelight Editions, 1970.

Anonymous. Contemporary Polish Cinematography. Polonia Publishing House, 1962.

Anonymous. Magnum Cinema: photographs from 50 years of movie-making. Phaidon Press, 1995.

Anonymous. Histoire du Cinema II: Le Parlant

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